Context of Capacity
“Stuck in the Middle With You” could not possibly conform to the way it is seen to be generated on screen. Mr. Blonde turns on the radio at which point the song is introduced. Initially, it sounds as if “Stuck in the Middle With You” is coming over the airwaves in monophonic sound, preceded by crackling transmission noises consistent with the dated radio and its limited sound capacity. However, on the cut to the close-up of the tortured cop, quickly followed by the long shot of Mr. Blonde beginning to dance, the volume on the song has been turned up, way up, and the quality of the sound improves from the thin, monophonic sound of the radio to a fully stereophonic performance.
Examples with Capacity
Should the Sacramento data center experience a shutdown, the company may face a reduction in its computing capacity for backup purposes, and its sole alternatives would be the data centers in Atlanta and Portland, Oregon in the event of any system failures.
–Technology
The study suggests that, for their effective carbon dioxide (CO2) storage capacities, it’s more beneficial to protect or replant tropical and boreal forests rather than converting them into agricultural fields or pastures.
–Science
As UPS faces increased competition, it’s not straightforward for other companies to rapidly replace the lost capacity UPS provides, potentially leading to difficulties for some customers and higher costs for others.
–Business
The company’s football battery assesses nine skills: how quickly players perceive things, how well they search for information, their capacity to track events, how well they learn from what they see, how well they learn from their instincts, their ability to make decisions in complex situations, how they handle distractions, their impulse control, and their ability to improvise.
–Sports
Over a span of forty years, George E. Lewis, a music professor at Columbia University, has been pioneering the creation and live performance of interactive A.I. music programs, with a central focus on assessing the technology’s capacity to participate in real-time musical experiences.
–Arts and Culture
